Origin of name
This exquisitely crafted early 19th century emerald and diamond tiara was
commissioned by Louis-Antoine, the duc d'Angouleme (1775-1844) in 1819, for
his wife the Duchesse d'Angouleme Marie-Therese (1778-1851), the eldest
daughter of Emperor Louis XVI and his Queen Consort Marie Antoinette, who
were executed by guillotine in 1793 during the upheavals of the French
Revolution. After the restoration of the House of Bourbon to the French
throne following the defeat of Napoleon I, at Waterloo, on June 18, 1815,
the eldest surviving brother of Louis XVI was proclaimed as the King of
France, as Louis XVIII, but he was childless.
When Louis XVIII died on September 16, 1824, he was succeeded by his younger
brother, the Comte d'Artois as Charles X, whose son Louis-Antoine, the duc
d'Angouleme now became the heir to the throne, also known as the Dauphine of
France. With her husband as the Dauphine of France, Marie-Therese was now
addressed as Madame la Dauphine, a title which she held until she chose to
go into exile in Britain in 1830, together with her husband and her uncle
and father-in-law Charles X, who was ousted as the King by Louis Philippe,
the duc d'Orleans.

Features of the emerald and diamond tiara
The tiara which was designed and executed by the French Royal Jewelers
Evrard and Frederic Bapst in 1819, was a masterpiece of the French jewelry
craftsmanship of the early 19th century. The design of the tiara was a
symmetrical design of scrolling foliage, mounted with over a thousand
diamonds set in silver, and 40 emeralds set in gold. The silver and gold
lines of the settings are clearly visible in the photograph of the tiara.
The diamond-studded semi-circular band of the tiara, is curved upwards
towards the center, in order to fit into the contour of the wearer's head.
The scrolling foliage of the tiara arises from the curved band, and the
design is perfectly symmetrical with respect to the median line. Two
emeralds are placed along the median line of the tiara, a lower small
square-shaped emerald touching the lower curved band, with its opposite
vertices along the median line, and an upper larger cushion-shaped emerald
as the centerpiece of the tiara, surrounded by 18 brilliant-cut diamonds.
Twelve other larger emeralds are also placed in symmetrical positions, six on each side
of the median line of the tiara.
History of the Marie-Therese emerald and
diamond tiara
The tiara was commissioned for the use of
Marie-Therese and designed and executed by Bapst
Bernard Morel in his book "Les Joyaux de la Couronne de France" (The Crown
Jewels of France), says that the emerald and diamond tiara was commissioned
in 1819, for the use of Marie-Therese, the daughter of King Louis XVI and
Marie Antoinette, and the wife of Louis-Antoine, the duc d'Angouleme, who in
1924, became the Dauphine of France (heir to the throne of France) after the
accession of his father as King Charles X. The royal jewelers who were
assigned the task of designing and crafting the tiara were the Bapst
brothers, Evrard and Frederic, who executed the order between September 1819
and July 1820. They used 14 of the largest emeralds from the crown
collection, that had remained unmounted during the period of the first
empire. They also added 26 other smaller emeralds to the tiara, making a
total of 79.12 metric carats of emeralds.

Marie-Therese, Duchesse d'Angouleme
The tiara was part of the French crown jewels
Being executed with materials provided by the state treasury, such as gold,
silver, diamonds and emeralds, the finished tiara though used by the
Duchesse d'Angouleme, still remained the property of the French State.
Marie-Therese used the tiara until the year 1830, when she decided to go
into exile in Britain, with her husband and her uncle and
father-in-law Charles X, who was forced to abdicate by a plot hatched out by
Louis Philippe, the duc d'Orleans. Before her departure to Britain she
returned the emerald and diamond tiara to the French state treasury.

Duc-d-Angouleme Louis Antoine
Proposal to dispose of the French crown
jewels in 1848
The celebrated tiara remained in the French state treasury until 1848, when
their was a proposal to dispose of all the crown jewels of France, in the
immediate aftermath of the revolution of 1848, and the overthrow of the
constitutional monarchy led by Louis Philippe, and the proclamation of the
second republic. However the proposal, never materialized and the crown
jewels including the Marie-Therese emerald and diamond tiara remained in the
safe custody of the treasury.
Napoleon III rules France first as President
and later as Emperor from 1852 to 1870
In December 1848, Louis Napoleon the son of Louis Bonaparte, who was the
brother of Napoleon Bonaparte, was elected the President of France by
polling a massive 5.5 million votes. Napoleon ruled France as the President
of the second republic for almost 4 years until 1852. During this period he
gradually undermined the authority of the National Assembly, and appointed
his supporters to key positions in the administration and the army. He also
appointed a cabinet that was more favorable towards him than the National
Assembly. He then dissolved the National Assembly and decreed a new
constitution, that was approved by a plebiscite. He then held another
plebiscite in November 1852, and was confirmed as the absolute ruler and
Emperor of the second empire in France. Emperor Napoleon III married
countess Eugenie de Montijo, the daughter of a Spanish nobleman, who became
his Empress consort, in January 1853.
For the next two decades Napoleon III gave France two decades of prosperity
under a stable authoritarian government.
The tiara becomes a favorite piece of jewelry
of Empress Eugenie, Empress consort of Napoleon III
During the brilliant court life of the second empire, Marie-Therese's
emerald and diamond tiara, came once again into prominence, as Empress
Eugenie wore it frequently at formal occasions, being very fond of emeralds,
as she believed they suited her fair skin and red hair. The emerald and
diamond tiara thus became one of her most favorite pieces of jewelry. She
was also the owner of a beautiful diamond necklace, the centerpiece of which
was the famous 51-carat, D-color, oval shaped brilliant, that came to be
known as the "Eugenie Diamond."

Empress Eugenie
Empress Eugenie and her son escape to England
after the fall of Napoleon III. France proclaims the third republic.
Emperor Napoleon III made an official trip to Great Britain, the country
that gave him asylum when he was living in exile, together with his Empress
Consort Eugenie. The trip marked the beginning of a close and friendly
relationship between Empress Eugenie and Queen Victoria. In the 1870-71
disastrous Franco-German war Napoleon III was defeated and surrendered to
the Germans. He was deposed and France proclaimed the third republic. With
the fall of the second French Empire, Empress Eugenie and her son escaped to
Britain, where she was given asylum by Queen Victoria. Later, after Napoleon
III was released by the Germans, he also joined Empress Eugenie and his son
in England.
The crown jewels moved to Brest during the
Prussian invasion
During the Prussian invasion of France in 1870, the crown jewels were moved
to Brest for safe keeping. Brest was an important sea port and naval base
situated in northwestern France, located in a sheltered position not far
from the western tip of the Breton peninsula. The crown jewels
remained in Brest until 1872, and were subsequently moved to the vaults of
the Ministry of Finance in Paris. However, when Empress Eugenie escaped to
Britain with her son it is believed that she carried away her personal
jewelry with her, and this did not include the "Marie-Therese Emerald and
Diamond Tiara."
The crown jewels are exhibited at the Paris
World Fair in 1878
In the year 1878, the crown jewels of France were put out on display at the
the third Paris World Fair, known as "Exposition Universelle." that was
held from May 1, 1878 to November 10, 1878. The exhibition was actually held
to showcase to the world, France's rapid recovery after its crushing defeat
in the 1870 Franco-Prussian war. Large crowds, both local and foreign
thronged to see the display of the fabulous collection of crown jewels
accumulated by the Bourbon monarchs, and Emperors Napoleon I and III, during
their periods of rule, and are truly amazed by their splendor
Other highlights of the 1878 Paris Exhibition
The Paris Exhibition of 1878, was one of the largest exhibitions ever held
in any part of the world at that time, and the exhibition ground covered an
area of over 66 acres. All the countries in Europe (except Germany) and the
far-flung colonies of the United Kingdom, such as Canada, British India,
Victoria, New South Wales, Queensland, South Australia, Cape Colony and some
of the British crown colonies in Asia and Africa took part in the
exhibition. The exhibition of new machinery and the fine arts were on a very
large and comprehensive scale, hitherto not seen in any part of the world.
Several new inventions from the United States of America was also displayed,
such as Alexander Graham Bell's telephone, and the electric light bulb,
megaphone and phonograph by the master inventor Thomas Alva Edison. Edison
also installed electric lighting along the main avenues of the exhibition
grounds which was lit by the operation of a switch. The display of 400
indigenous people in a "human zoo" called a "negro village" was a very popular
feature of the exhibition, but in retrospect was uncivilized behavior by the
organizers according to modern standards of human ethics and behavior. What
the organizers of the exhibition fail to realize at that time was how 400
white people would have felt if they were placed under similar circumstances
either in their own home country, or in the heartlands of black Africa. The
Paris Exhibition was a tremendous success and was attended by over 13
million people.
The crown jewels displayed again at the
Louvre Museum
In the year 1884, the crown jewels of France were displayed again at a
special exhibition held in the Louvre Museum, in aid of the "Ecole des Arts
Industriels" (School of Industrial Arts). This exhibition was also quite
popular and helped to generate substantial funds for the intended purpose.
The French National Assembly decides to
dispose of the crown jewels
The crown jewels of France represented a powerful symbol of the deposed
monarchy of France, both the Royalists and the Bonapartists, and the
resurgence of the monarchists after the first and second republics were
remotely associated with these powerful symbols of authority. The
republican National Assembly the highest body that exercised the sovereignty
of the people, was uncomfortable with the existence of these decadent royal
symbols, that might possibly be used by an aspiring monarchist in the
future. Thus, the National Assembly was of the unanimous opinion that all
the crown jewels of France should be either dismantled or disposed of.
Francois Paul Jules Grevy a President of the third republic, during whose
tenure the matter was discussed and approved by the National Assembly, bowed
down to its wishes, and ordered the sale of all the crown jewels of France
and the proceeds to be credited to the government funds. But, provision was
also made for the preservation of any article of cultural and historic
value. The proposal came under severe criticism by the Parisian jewelers,
who were well aware of the historic and artistic significance of the
collection. Nevertheless the sale went ahead despite all the well-founded
criticisms.
The auction of the French crown jewels
The auction that was held in May 1887, attracted international attention,
and several leading jewelry houses in the world, such as Tiffany's, Van
Cleef & Arpels and the Parisian jewelers Frederic Boucheron and Paul
Bapst, took part in the auctions. The sale was held in the "Pavilion de
Flore" a part of the palace of the Tuileries, on May 12, 1887. The jewels
were divided into 69 lots, and Tiffany's of New York, successfully bid for
24 of these lots which they purchased for $480,000, a sum that was greater
than the combined purchases of the next nine largest buyers. Among the
jewelry purchased by Tiffany's were Empress Eugenie's diamond necklace, a
diamond comb, pieces from Empress Eugenie's great girdle, and a currant-leaf
corsage ornament. Van Cleef & Arpels purchased the Empress Josephine Diamond
Tiara. The total proceeds realized from the sale of the crown jewels was
said to be 6 million francs.
Only a few items of the crown jewels were retained and later exhibited at
the Louvre Museum. These included the crowns of Louis XV and Napoleon
Bonaparte, but their gems were removed and replaced with colored glass,
obviously to depreciate its significance. Other items included the historic
Hortensia and the Regent diamonds. Some of the royal and imperial coronation
regalia were also retained.
The sale of Marie-Therese Emerald and Diamond
Tiara
The "Marie-Therese Emerald and Diamond Tiara" was also sold at this auction,
but the jeweler who purchased it is not known. In all probability the
jeweler who purchased the celebrated tiara was a British national, as it
surfaced in Britain, and was once owned by Wartski's jewelry firm, situated
in Grafton Street, Mayfair, London, a firm that had held appointments as
jewelers to H.M. the Queen, and H.R.H. the Prince of Wales. According to
Geoffrey Munn, the Managing Director of Wartski, who also wrote his famous
work "Tiaras, a History of Splendor" the "Marie-Therese Emerald and Diamond
Tiara" was in the safe of the Wartski's jewelry firm, at the time he joined
the firm more than 30 years ago. No one in the firm was aware of the
historical credentials of the celebrated tiara. It was just known as an
"Emerald and Diamond Tiara" and contained 1,021 diamonds and 44 emeralds.
The Marie-Therese Emerald and Diamond Tiara
on display at the Victoria and Albert Museum
The Duchess of Angouleme Tiara was placed on display at the Victoria Albert
Museum by its owner in 1982, and remained in the Museum until the year 2002.
During this period the tiara became a piece of first choice for exhibitions
surveying the history of this type of jewelry. The tiara has a great
historic and artistic value, as it is just one of the few pieces of jewelry
of this period that has not been broken up. The tiara still remains in its
original state, a living example of the perfection and refinement achieved
in jewelry crafting during the early 19th century.
The owner of the historic tiara decides to
dispose of it, but the Arts Minister places a temporary export bar on
the tiara
The owner of the "Marie-Therese Emerald and Diamond Tiara" decided to
dispose of his valuable possession in the year 2002, and the value of the
tiara was placed at £700,000. However on a
recommendation made by the Reviewing Committee on the Export of Works of
Art, the Minister of State for the Arts, Tessa Blackstone placed a temporary
bar on the export of the tiara, to provide a chance to interested parties to
raise the required money, to keep the tiara in the United Kingdom, as the
committee was convinced of the outstanding aesthetic importance and the
technical skills evident in the tiara, which still retains its original
form. The bar was said to last until April 15, 2002, and was to be extended
by another 3 months if serious attempts were made to raise such funds.
The export bar placed on the tiara expires
and the "Marie-Therese Emerald and Diamond Tiara" is acquired by the Louvre
Museum of France
The bar on the export of the tiara expired on April 15, without any attempt
being made to raise funds for the purchase of the tiara. The owner of the
tiara was thus free to do whatever he wanted with his valuable possession.
The Victoria Albert Museum which displayed the tiara for twenty years, thus
lost an opportunity to hold on to one of its choicest exhibits for the want
of a benefactor to purchase the valuable piece of jewelry for them. The loss
of the Victoria Albert Museum, became the gain of the Louvre Museum in
France. The owner of the celebrated tiara successfully negotiated a deal
with the Louvre Museum, that brought him the returns he expected. Thus the
emerald and diamond tiara of the Duchess d'Angouleme, Marie Therese
Charlotte, the only child of Louis XVI and Marie Antoinette to survive the
French revolution, finally became the property of the Louvre Museum, where
it is displayed today.
Related :-
Grand
Duchess of Vladimir Tiara
Queen Victorias Emerald and Diamond Tiara
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References
1.Arts Minister Places Temporary Export Bar on an Emerald
and Diamond Tiara by Bapst of Paris - website of the Department for Culture,
Media and Sports.
2.Tiaras - Antiques and the Arts on
Line, www.antiqueandthearts.com
3.Encyclopedia Britannica - 2006
4.Exposition
Universelle -1878 - From Wikipedia, the free encyclopedia